All tagged matteo
Submission #363 | Matteo Gawlak, Riccardo Gialloreto, Eren Gazioglu, and Cristiano Gerardi: Resilient City — “Evolve and adapt urbanity to the new natural conditions and climate-changing: a wireframe ecosystem that creates a new reality above old cities. Allow nature to follow its process and reclaim its space. Introduce a new idea of resiliency that is not only related to the landscape but to the architecture and way to build itself.”
Submission #327 | Matteo Gawlak and Micol Zucchini: u_Tube — “Buynet city, 2030. Never before man has been so explicitly recognized as the true protagonist and placed with determination at the center of the purchase, linked only on shopping online. Subject and object at the same time of a philosophical and almost metaphysical research about his place and his role in the buying network.”
Submission #302 | Nicolò Sabbadin, Andrea Bulloni, Matteo Ciabattini and Marco Papagni: Marsopotamia — The first interplanetary civilization, however, is timeless, except for the one from which it was conceived: the age of the pioneers. The projection of space thought as a projection on a physical dimension aims at transforming the unknown hostile and impracticable space, into a measurable and possessed orientable space. Space and time are the benchmarks of our world and their meanings are both contained in architectural shapes.
Submission #300 | Matteo Serra, Mirko Santoni, Andrea Ruggieri: Kaira Kora — “The Griot safeguards the community’s tradition that is conserved through the usage of the words. This poet’s tale is accompanied by an instrument called “Kora”. A sacred place should play a similar role and become the “Instrument of Worship”. The project’s aim lies in the belief that a single holy place can host different religions (muslims, catholics and animists), a single instrument able to emit different notes of a same chord, a peace’s harp: Kaira Kora.”
Submission #279 | Matteo Gawlak and Riccardo Gialloreto: The New Yorker — “Opposite to the anonymous architecture of the skyscrapers that don’t take in account the context of the city, its identity, and the lifestyle, The New Yorker wants to be a specific answer for the city of New York, land where high-rise buildings were born.”
Andrea Bulloni, Matteo Ciabattini, Alice Gardella, Paolo Grotteschi: Landcraft Academy — We are nowadays facing a new way of living, we are surrounded and iper-stimulated by thousand of images and stuff, and their “life” is getting everyday shorter. We need more than what we have, so we have to start thinking about how to change what we don’t need anymore. Our project can’t focus only on the architectural needs of buildings, but moreover onto the changing that our project can put in place.
