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365 / Ernesto Medina: Castelvecchio Composite

365 / Ernesto Medina: Castelvecchio Composite

Maria Flores
students

Submission #365 | Ernesto Medina: Castelvecchio Composite — “After visiting and photographing this 14th-century castle restored by the great Carlo Scarpa in the 1950s, an analytical drawing was produced in order to understand the many motifs carried out by the architect when renovating this military construction in order for it to now work as a museum; one that would not only reflect history through the exhibits on display but also through the exposed architectural details of the building itself.”

297_Yu Kono: Deferential Form

297_Yu Kono: Deferential Form

Maria Flores
students

Submission #297 | Yu Kono: Deferential Form — “ The giants of the Tech industry have emerged as a significant presence in the Bay area of San Francisco. Many of them are located in the suburban regions of Silicon Valley where they are in the process of building large, symbolic corporate headquarters. The Silicon Valley sites of these headquarters lack the public amenities of traditional cities that are deemed highly desirable to their workforce”

148_Drew Heller: Power Wall

148_Drew Heller: Power Wall

Maria Flores
students

Submission #148 | Drew Heller: Power Wall — "Artwork is no longer to be consumed within a ‘monumental’ time frame, open for a universal public; rather, it elapses with factual time, for an audience ‘summoned’ by the artist” - Nicolas Bourriaud, Relational Aesthetics. The monument has been reborn in contingent form. The historical event no longer exists within universal memory, rather memory is recycled, distorted and produced through transient presents. Public, once a solid, is now liquid and relational. Considering collective identity as relational attaches its production to the friction of bodies."