All tagged milano

385 / Staś Gulkowski and Burcu Doğruyol: HOME

Submission #385 | Staś Gulkowski and Burcu Doğruyol: HOME — “During these unprecedented times, for the first time, we all share a similar experience of adjusting to the new realities of our everyday life. We are used to expanding our world through exploring the city around us, taking part in the collective activities that are going on in it, or simply getting to know people in the community. Contrarily, today’s conditions require us to sustain our needs and pleasures within the walls of our house. Being limited by these boundaries as well as transforming that limitation into countless opportunities is part of the experience.”

327_Matteo Gawlak and Micol Zucchini: u_Tube

Submission #327 | Matteo Gawlak and Micol Zucchini: u_Tube — “Buynet city, 2030. Never before man has been so explicitly recognized as the true protagonist and placed with determination at the center of the purchase, linked only on shopping online. Subject and object at the same time of a philosophical and almost metaphysical research about his place and his role in the buying network.”

308_Tiago Vasconcelos: Permabioreactor

Submission #308 | Tiago Vasconcelos: Permabioreactor — “Climate change is only exacerbating this challenge; as increasing temperatures and oceanic acidification are causing large shifts in migratory patterns of animals and reduction of fish populations; making these subsistent sources increasingly difficult to come by for Native peoples. Additionally, elevating temperatures are causing widespread permafrost thaw; wreaking structural havoc and greenhouse gas emissions.”

307_Paolo Boldi: Delta Aquarium

Submission #307 | Paolo Boldi: Delta Aquarium — “Located in the Colombian city of Santa Marta, an important commercial and touristic center as well as the most antique city of Colombia, the project is part of an urban intervention of reestablishment and restitution of a wide city portion nowadays used as a military base. This area represents a great opportunity as it constitutes the perfect union between four different scenarios.”

302_Nicolò Sabbadin, Andrea Bulloni, Matteo Ciabattini and Marco Papagni: Marsopotamia

Submission #302 | Nicolò Sabbadin, Andrea Bulloni, Matteo Ciabattini and Marco Papagni: Marsopotamia — The first interplanetary civilization, however, is timeless, except for the one from which it was conceived: the age of the pioneers. The projection of space thought as a projection on a physical dimension aims at transforming the unknown hostile and impracticable space, into a measurable and possessed orientable space. Space and time are the benchmarks of our world and their meanings are both contained in architectural shapes.

300_Matteo Serra, Mirko Santoni, Andrea Ruggieri: Kaira Kora

Submission #300 | Matteo Serra, Mirko Santoni, Andrea Ruggieri: Kaira Kora — “The Griot safeguards the community’s tradition that is conserved through the usage of the words. This poet’s tale is accompanied by an instrument called “Kora”. A sacred place should play a similar role and become the “Instrument of Worship”. The project’s aim lies in the belief that a single holy place can host different religions (muslims, catholics and animists), a single instrument able to emit different notes of a same chord, a peace’s harp: Kaira Kora.”

298_Federico Monti and Francesco Mura: Galaxy Tower

Submission #298 | Federico Monti and Francesco Mura: Galaxy Tower —  In one of the most famous drawings in the world, the Vitruvian Man by Leonardo Da Vinci is symbolically represented as the most sublime of unions, the one between art and science. There are the figures of the square and the circle that refer respectively to the Earth and the universe, placing at the center of this union the pulsating and signifying heart of the work: the man.

279_Matteo Gawlak and Riccardo Gialloreto: The New Yorker

Submission #279 | Matteo Gawlak and Riccardo Gialloreto: The New Yorker — “Opposite to the anonymous architecture of the skyscrapers that don’t take in account the context of the city, its identity, and the lifestyle, The New Yorker wants to be a specific answer for the city of New York, land where high-rise buildings were born.”

206_Andrea Bulloni, Ilaria Belotti, Marco Papagni: TEXTILIA

Submission #206 | Andrea Bulloni, Ilaria Belotti, Marco Papagni: TEXTILIA — "TEXTILIA is the memory of a recent manufacturing past. The Schiatti company, has had for years a key role in Lentate community and is deeply rooted in the heart of every citizen. The quality of its textile production finds voice in TEXTILIA: as the Jacquard loom wove strings of silk to get an extraordinary weft, the project intersects several functions, public spaces, private and commercial, to achieve a high quality of living.

205_Paulina Hurtado: Narrows Pavilion

Submission #205 | Paulina Hurtado: Narrows Pavilion — "Narrows pavilion is a social platform that works as a living organism introducing the subject into a portal that addresses space as the expression of scenery.  The pavilion explores the idea of implied functionality. Something that might happen but doesn’t have a fixed definition. For instance, it is a space for exhibitions, but it is not a museum; it is a space with scenographic features for performances, but it is not a theater; it is a space for dinning and social encounter, but it is not a cafe nor a restaurant."

78_Andrea Bulloni and Enrico Bertonazzi: Dwelling Monza

Andrea Bulloni and Enrico Bertonazzi: Dwelling Monza — The public space is designed to keep the visual connection through all the space although have different levels of privacy, the central space is lowered and it's the heart of the project. Neighbourhood activities are facing the central plaza and a series of stairs and ramps allows people to switch from the central plaza to the commercial old volumes.

18_Andrea Bulloni, Matteo Ciabattini, Alice Gardella, Paolo Grotteschi: Landcraft Academy

Andrea Bulloni, Matteo Ciabattini, Alice Gardella, Paolo Grotteschi: Landcraft Academy — We are nowadays facing a new way of living, we are surrounded and iper-stimulated by thousand of images and stuff, and their “life” is getting everyday shorter. We need more than what we have, so we have to start thinking about how to change what we don’t need anymore. Our project can’t focus only on the architectural needs of buildings, but moreover onto the changing that our project can put in place.