All tagged condition
Submission #316 | Simone Porfiri: Utilitàs [The Shapes of the Use] — “This work investigates the vocabulary of forms that are generated as a corollary of the human activity of inhabit and by the practice of use, and that complete with their function the architecture and landscape condition.”
Submission #293 | Sergey Nadtochiy: Seductive Ecologies — “Because of large number of public buildings including universities, hotels and hospitals, Bloomsbury has one of highest wasted heat rates in London. Therefore this area has been chosen to test new ways of heat resources use and mediation proposed in this project of an art school. The site of the project takes space of former district heating system on Coram street next to Brunswick centre and is marked by 40m high concrete chimney, underground Piccadilly line which crosses the site is also used as one of heat resources.”
Submission #244 | Anderson Chan and Haydn Lo: Chain Factory, Chain Living — “Our project is named Chain Factory, Chain Living. The project explores the possibility of creating a chained textile factory along side housing in existing urban fabric. The design critiques on the work/live condition in Changsin-dong of Seoul, and explores the possibility of putting factory together with living, while not compromising the quality of life.”
Submission #157 | Jack Oliva-Rendler: Apparatus for Technical Logic in Analytic Structures — Apparatus for Technical Logic in Analytic Structures :Along a strata, giving access to diverse and ecological contexts, infrastructure is explored in its capacity to give structure to the creative and analytic processes involved in the creation of our built environment. Infrastructure is proposed as being responsible for physical and environmental systems, as well as informational infrastructures that give coordination between multiple layers of our built environment in itself, and the cognitive processes that create our built environment.
Submission #148 | Drew Heller: Power Wall — "Artwork is no longer to be consumed within a ‘monumental’ time frame, open for a universal public; rather, it elapses with factual time, for an audience ‘summoned’ by the artist” - Nicolas Bourriaud, Relational Aesthetics. The monument has been reborn in contingent form. The historical event no longer exists within universal memory, rather memory is recycled, distorted and produced through transient presents. Public, once a solid, is now liquid and relational. Considering collective identity as relational attaches its production to the friction of bodies."
Submission #106 | Christiana Pitsillidou and Biljana Kašule Nikolić: Hyphen City — Those are the very initial ideas of the eight films under study, which further explore its site less qualities depending on their level of fiction, speed and psychogeography. Given that the river’s visual history is extraordinarily experienced at certain speeds and environments; the space of the Los Angeles River has been plot-mapped and observed through hyphen speculations varied from real to fictional scenarios of fragments.
